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    These are works that I consider to be more "involved drawings". So they're quite a bit more significant to me, as opposed to quicker sketches. I was a huge fan of MC Escher, and I often liked to dive into these heavily detailed, and delicately rendered pencil works.  
   
 


More to Come #2

   

This pencil drawing measures 8.5" x 11", on paper board.

This seems to fit with the TV Series group of images, but it's more about "Middle America" and it's American personality traits than a statement on culture. I was very influenced by mid-century American painters like Thomas Hart Benton, Grant Wood, Paul Cadmus, George Tooker, Diego Rivera, and also MC Escher. These artists were strong draftsmen and masters of fine brushwork (and dramatic compositional designers).

I admire how they used the iconography of the American Heartland to make political and social statements to great effect. They had a lot to say about the culture around them and deftly worked their political views into their images.

This drawing was printed and widely distributed throughout Central Park on the first Earth Day Celebration in New York City, 1988. It still hangs in a few bars in town.

 
   
 


The Class of ’72

   

This drawing was commissioned by the New York Times, and measures about 12" across. It ran across the upper half of the Op Ed page on July 22, 1989. It's a visual commentary on Yuppie Culture, to adjoin an article on recently published research by the Department of Education on this particular generation's accomplishments to date.

 
 

 

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